Abandoned Posts

The long abandoned Paramount Theatre is located in Youngstown, Ohio and was closed to regular performances in 1976.





The Paramount Theatre is located in Youngstown, Ohio and was originally known as the Liberty Theatre. Designed by Detroit architect C. Howard Crane, with Stanley & Scheibel serving as associate architects, the vaudeville house opened on February 11, 1918 with the production of “A Modern Musketeer.” The late Neo-classical, Ecole des Beaux Arts exterior featured terra cotta ornamentation, while the interior featured ornate plaster detailing and 1,700 seats.

In 1929, Paramount Pictures Corporation purchased the theater and renamed it the Paramount Theatre. It then spent $200,000 modernizing the facility and installing a sound system for talkies. In 1933, Paramount went into receivership due to the Great Depression, but the company and theater survived to begin showing movies. A speakeasy later operated out of the basement.

Mirroring Youngstown’s fortunes, the theater began declining in the mid-1970s, and the final movie shown was in 1976 – “Let’s Do It Again” that starred Bill Cosby.

In 1983, two developers – Richard Blackwell and William Andrews purchased the theater and planned to restore the theater to its original condition. But the partners wanted their $100,000 loan application to be split; approximately three-fourths of the money would go towards the renovation of the theater, while the remainder would be used as a downpayment on the purchase of the closed Baltimore and Ohio Railroad depot. Profits from the theater would pay off the mortgage on the station – which was questioned by many who believed that the theater’s fortunes would be squandered for other projects. Their loan was rejected, and the partners vented their frustration, assuming that the city, banks and a redevelopment corporation were stonewalling them. In addition, a scant $2,000 had been donated to support the rehabilitation efforts.

The Paramount was listed on the National Register of Historic Places in 1984. In many cases, this would have sparked a reasoned and more expedient path towards rehabilitation of the building, but the economic drag set upon Youngstown from a decade prior led to the building remaining vacant.

On December 29 and 30, the Paramount hosted “Youngstown Sheet & Tube Co. Steel Mill Movie Day.” The event included a tour of the theater, a close up view of the then 67-year-old pipe organ, 1.5 hours of movies of the former mill, and a brief on why the steel business was in the condition that it was. Steel memorabilia was provided by the Paramount, Ohio Historical Society and CASTLO Industrial Park, the latter which was located at the former Youngstown Sheet & Tube Struthers Works.

Ohio One purchased the abandoned theater in 1985 for $26,800, with the goal of rehabilitating the theater – although no work progressed and the building fell into further disrepair. The building was then sold on April 21, 2006 to an investment group led by Grande Ventures Inc. of Wheaton, Illinois and Lou Frangos of Cleveland, for a mere $79,900. Grande Ventures was a new corporation founded by Paul Warshauer solely to restore and reopen old theaters. The redevelopment plan pitched by the newly formed LLC was a first floor for theater and musical events with seating for 300 to 600, and a restaurant and cabaret bar in the basement. The balcony would be converted into a 300-seat movie theater, or two 150-seat theaters. The investment group sought tax credits from the federal government for the projected $4.8 million restoration.

But like prior proposals, no work was completed and the building was in dire need of structural repairs. Leaks in the roof that began years prior had formed years prior had developed into holes in the roof, which damaged the ornate plaster molding inside. The water damage wasn’t limited to the architectural niceties – wooden risers began rotting, chunks of the suspended ceiling began collapsing onto the stage, and even entire floors began giving way to the ground below.

In June 2010, the Paramount Project was formed to assist in the reuse of the Paramount Theatre. The committee wanted to raise $4 million over the next three to five years to save the front terra cotta facade, and to demolish the remainder, converting it into an outdoor amphitheater and gathering space. In November, the city of Youngstown purchased the Paramount Theatre for $80,000 from Frangos. The move came a month after a majority of the council members refused a motion to purchase the abandonment, citing the liability of owning such a building and the high cost of asbestos abatement and demolition, which would cost anywhere from $400,000 to $750,000.

In July 2011, the state of Ohio approved of Clean Ohio funds for the theater. The state, as part of the Clean Ohio program, would spend $803,490  to clear asbestos and demolish part of the Paramount. After the demolition, the building’s front facade would be restored to its historic appearance and would serve an outdoor amphitheater with a public space behind it. The city would contribute $269,553 in matching dollars for assessment, acquisition, remediation and demolition. The city’s board of control, comprised of the mayor, law director and finance director, approved a $19,500 contract with Strollo Architects of Youngstown to develop a plan to demolish the theater sans the front facade.  The board also entered into an agreement with Brownfield Restoration Group of New York for $56,028 to supervise the environmental cleanup of the Paramount in accordance to Clean Ohio Revitalization Fund policies.

A preliminary investigation by Strollo found that the front of the Paramount would not strong enough to stand on its own if the remainder of the theater is demolished.If the front of the theater could not be saved, the Paramount Project would walk away from their proposal. To secure the front of the building would cost $900,000 to $1.2 million. The rather grim report from Centric Engineering, a company hired by Strollo for a preliminary site assessment of the building, noted that if the main theater walls were demolished, the front facade would have no means to resist wind loading. Steel beams inside and out would be needed to hold up the facade. Careful demolition would be needed to minimize vibration transfer to the facade to reduce the chance of terra cotta ornamentation breaking off.

The rather depressing news leaves the future of the Paramount Theatre in jeopardy. The theater is one of the greatest tragedies of Youngstown, absent of the major job losses that occurred in the 1970s with the closure of most of its steel industry. With the exception of the facade, very little is left to salvage for a reuse of the Paramount, and it’s future on Youngstown’s main street is becoming dim.





Exploring two of Youngstown, Ohio’s tallest buildings – that are slated for redevelopment.





There is a lot of commonality between Youngstown, Ohio and the Ohio River valley that I grew up within near Ironton. Both are areas that have experienced major employment losses, either due to a declining steel mill or other heavy industries; both are areas that have experienced population declines in the cities; both are areas that are impoverished. But the severity of Youngstown’s losses are hard to compare to.

When Youngstown Sheet & Tube’s Campbell Works abruptly closed in 1977, it left behind 5,000 workers who were taken back and wondering what their futures held. It was a “black Monday” that was followed up with the closure of the Brier Hill Works in 1979. The industry had been on the tip of an iceberg for much of the decade, as new technologies, such as basic oxygen furnaces and continuous casters, were not being adapted fast enough. The large steel producers wanted to wait the technology out to ensure that it could match production speeds and quality. To make the matters more worrisome, foreign competition began shipping significant quanities of steel to the United States, rising from 5.4 million tons in 1963 to nearly 20 million tons by the end of the decade. This led to fewer profits by the steel industry, which led to fewer investments in the plant’s facilities and equipment, which only led to a slow and eventual downward creep towards bankruptcy.

But it’s 2012, and no one single industry can drag down a city for that long. Youngstown has begun a rebound, brought on by Youngstown State University – conveniently located adjacent to downtown, and new heavy industries, such as VM Star. The rapid growth of the marcellus shale exploration, leading to a bonanza of contractors and companies flooding eastern Ohio, Pennsylvania and West Virginia, has led the charge in the redevelopment of the industrial “rust belt.”

Mirroring the decline of the city, from a population that once topped 177,000 and now has dipped to 66,000 is the Wick Building along West Federal Street. Designed by Chicago-based D.H. Burnham & Company in the Chicago School and Romanesque-revival architectural style, the 184-foot tall building was built from 1906 to 1910, and opened to tenants on April 1. The red-bricked, steel-framed building featured intricate terra cotta. Financing was derived from Youngstown native George Dennick Wick, who was a leading iron and steel manufacturer, and whose family were involved in banking and real estate interests. The Wick was the city’s tallest until the completion of the Metropolitan Tower in 1929. It housed the Wick Brothers Trust Company among other Wick enterprises.

In 1969, Burdman Bros purchased the Wick Building for $230,000. The company invested more than $1 million from 1988 to 1993 for mechanic and interior renovations in anticipation of selling the building to Phar-Mor Inc., but when a scandal plagued the company, Burdman looked at other options. In December 1993, Burdman agreed to donate the Wick Building and a parking lot to the city as gifts. The city planned to seek redevelopment proposals in the following year from private businesses to locate within the tower. The city would offer the building and its 50,000 square feet of space to a developer with the goal of adding 100 jobs to downtown. A number of law firms and accounting firms occupied only about 40% of the structure, of which the leases “more than covered” the occupancy costs.

In 1996, Stop 26 Riverbend Inc. attempted to purchase the Wick for $50,000. The company’s president, Attorney Percy Squire, stated that he had tried to purchase the building, but after Mayor George M. McKelvey took office in January 1998, he was told the city was no longer interested in the deal. Squire noted that the building was appraised at just $350,000 and needed repairs and ongoing maintenance.

Despite the downtown in Youngstown’s economy, the occupancy of the Wick stood at 72% by 2005, although the city rented 12,000 square feet in the building, including the third and ninth floors, and part of the eighth. Several city departments were housed within, including economic development offices. Other tenants included WRPB-FM, WGFT-AM, Youngstown Convocation Center, Henderson, Covington, Messenger, Newman & Thomas Co., L.P.A., a law firm and Superior Chemical Company. The Youngstown police street crimes unit moved into their offices in November 2003, and a nightclub operated on the ground floor in 2004 in a space that had been vacated 18 months prior by a women’s clothing store.

Lou Frangos, a Cleveland, Ohio developer, purchased the Wick Building from the city on May 20, 2005 for $125,000. The city had also been in discussions with Squire and Youngstown Wick Real Estate Partners when “an unsolicited offer” for the Wick was made. Squire had operated the two radio stations from the Wick, and wanted to spend up to $211,000 in improvements to the structure to add modern elevators and to renovate the building. Frangos’ plan was to convert the structure into upscale residential apartments or condominiums at a cost of $13 million. Work was scheduled to begin in late 2006, but with the downturn in the economy due to the Great Recession, the idea for student housing for Youngstown State University came about. But Frangos never developed upon the idea for student housing.

On August 24, 2012, Frangos sold the Wick to Dominic Marchionda for $150,000. Marchionda’s initial plan was to convert the Wick into a boutique hotel, which would be the first hotel in the city since the Wick-Pollock Inn closed in 1998, and the first in downtown since the 1970s when the Voyager closed. A later plan would be to convert the Wick into 40 apartment units. Construction could begin in the winter of 2012, with work taking one to two years to complete.

Another one of Youngstown’s tallest is the Stambaugh Building. The Stambaugh Building was designed by Albert Kahn of Detroit, and construction began in 1906 for a reinforced concrete office tower with a white brick facade and a neo-classical revival design. The eight-story, $1.5 million building was financed by John and George Stambaugh. By November 1907, work began on cutting the partition tile for the interior, and the installation of tile for the floors and side walls. Concrete was still being poured on the upper two floors during that time, with work proceeding in an expedited manner.

On September 28, 1912, the Stambaugh’s announced were considering the advisability of adding four stories to the structure due to the popularity of the building. The proclamation was made after the Vindicator had hinted at the possibly of an upward expansion. The building boasted a 100% occupancy, and the owners were optimistic that the new floors could be filled with offices for the large industrial firms located in the city.

A contract for the addition was let on February 17, 1913 to James L. Stuart of Pittsburgh for approximately $200,000. The plans included removing the present cornice and adding additional steel to raise the building’s height by an additional 60 feet. The steel was set to be placed by May 15, with occupancy by early November. The addition was finished in the following year, topping the Stambaugh out at 160 feet in height.

The grand structure, located within Youngstown’s central square, was headquarters of the Youngstown Sheet and Tube Company, which occupied the top five floors. The Stambaugh also featured an Euwer’s Department Store that took up the first three floors and basement. The department store opened at 9 AM on August 7, 1908 and featured 25 departments with $200,000 worth of stock and equipment. Some of the features of the new store included a mahogany soda fountain on the first level, a complete telephone system with an exchange on the mezzanine floor, two ladies’ rest and waiting parlors with tea rooms, and a mammoth electric sign fabricated by the Ohio Sign Company that read “Euwer’s” on the top of the building.

In July 1915, Youngstown Sheet and Tube completed new offices at its East Youngstown Works, where its operating department relocated to from the Stambaugh. It continued to maintain its tenth through twelfth floor presence for its auditing, order and other city offices. In December 1925, the steel company took over the eighth and ninth floors, relocating its legal offices, traffic, claim and real estate offices into the Stambaugh. But in 1958, Youngstown Sheet and Tube moved its corporate offices to Boardman in 1958. The Standard Slag Company moved in shortly after, occupying the top three-and-a-half floors, as did Bessemer Limestone. In 1940, Morris Plan Bank moved from the Terminal Building to the first floor of the Stambaugh. The Terminal was a causality of the widening of West Commerce Street.

On July 18, 1967, it was announced that the Stambaugh, partially owned by John Stambaugh III among others, was to be sold to Youngstown Realty Corporation. The transaction, totaling $1 million, was completed on October 3. Major improvements were planned to the structure, although details were not disclosed. In 1983, the building was sold to the H.L. Libby Corporation. Howard Libby was a principal partner of Youngstown Realty, and expressed desire to restore the building. The original terrazzo floors were uncovered, cleaned and polished, the marble walls and stairs cleaned, and the brass restored. The window sashes, long painted over, were restored to their original grained walnut appearance. The mail chutes, built by the Cutler Mail Chute Company of Rochester, New York, were also restored.

On November 7, 1997, the Stambaugh Building was sold to a subsidiary of Cambridge Investment Group of Cleveland from H.L. Libby Corp. for $950,000. Boardman desired to restore the building to its original appearance, and lure in the businesses that once left for the suburbs for its free parking and highway convenience. Tenants at the time included KeyBank, BW-3 (later Buffalo Wild Wings), several attorneys and an accounting firm.

By the 2000s, the Stambaugh was not in the best of condition. The Youngstown/Warren Regional Chamber began exploring relocation options from its offices on the top floor of the building in 2002, and relocated in October 2003. The entity complained about the lack of heat from April 1 to November, which was needed at times, and the scattered residents that were allowed to keep pets. The building was operated by Stambaugh Associates and controlled by Jeffrey Moffie, but Stambaugh Associates had filed for Chapter 11 bankruptcy.

Moffie began renovations to vacant floors in the summer of 2003 during the bankruptcy proceedings. A court order gave Stambaugh Associates eight months to buy the Stambaugh from Pacific Coast Investment Company for up to $2 million; in the meantime, Stambaugh Associates was allowed to lease the building from Pacific Coast and continue renovations. The Stambaugh was co-purchased by Lou Frangos, a Cleveland, Ohio developer and Platia Square LLC of New York City for $1.15 million on March 6, 2006. At the time, the lone-tenant was Buffalo Wild Wings. Frangos had planned to convert the structurally sound building into a hotel, but a cost estimate of $15 million led the project to be mothballed. Frangos called the building “a lost cause.”

During a heavy rainstorm in July 2007, four windows from the tower fell to the ground. Two fell onto an adjoining parking lot and two on the roof of Buffalo Wild Wings. Two additional windows fell from the rear on May 24, 2008. Four days after that incident, Frangos had employees remove windows from the Stambaugh, initially wanting to replace the windows with plastic. He then decided to use plywood. Frangos began the window removal without a city permit and approval from the city’s Design Review Committee, an oversight that Frangos admitted. On June 5, after more than 400 of the 531 windows were removed, another pane fell out of the structure and onto East Federal Street as a city official watched. The window removal process was immediately stopped by the city. On July 11, the city’s Design Review Committee rejected Frangos’ plan to board the windows up with plywood, citing aesthetic and safety concerns.

A letter, signed by 17 of Youngstown’s business leaders, questioned Frango’s long- and short-term plans on the Stambaugh, and expressed concern over potential mistreatment of the historical site. Two days later, Frangos met with city leaders and he agreed to improve the window frames so that the windows could be removed and replaced. If the frames were too damaged, he would be allowed to install Plexiglas or new windows. The city found that 99% of the windows were in good repair to be reinstalled. Work began to reinstall the windows on June 27 by the All American Window and Door Company of Cleveland.

In July 2012, Frangos sold his share of the Stambaugh to Dominic Marchionda, along with the adjacent parking deck for the building.

I look forward to the rehabilitation and redevelopment of both the Wick and Stambaugh Buildings in downtown Youngstown. With the success of the Realty and Erie Terminal Buildings, especially with their distance relation to Youngstown State University, the conversion of two of the city’s tallest will only amplify the ongoing redevelopment efforts within the city. There is much potential that has yet to be untapped, and Youngstown stands to be a model of not decline, but of rebirth.

Stay tuned.





The Springfield City Hospital was located in Springfield, Ohio along High Street and was in operation from 1931 to 2011.





The Springfield City Hospital was located in Springfield, Ohio along High Street and was in operation from 1931 to 2011.

The evolution of Springfield’s hospitals began with the dedication of a 15-bed Mitchell-Thomas Hospital at East Main Street and the Big Four Railroad in 1887 and the dedication of the replacement City Hospital on June 27, 1903. The latter was constructed at the corner of Selma Road and East Street, where over 2,000 bowed their heads in prayer at the cornerstone laying ceremony. Oliver S. Kelly quipped that “in behalf of sick and suffering humanity, I lay the cornerstone of this hospital.” The profane nature of the comments left spectators were left speechless and were visible moved.

Voters in 1928 voiced their desires for a larger and more modern facility with a 65% majority to issue $1.8 million in bonds. But on July 6, 1929, a committee of the Clark County Medical Association filed a lawsuit in the Clark County Common Pleas Court, stating that the Hospital Common that desired a hospital at Main Street and Burnett Road had no legal authority to do so. That decision, they noted, should be left up to the City Commission and mayor. The Association also argued that the location was “unaccessible, uneconomical, unsanitary and not fitted to meet hospitalization needs,” and that the railroad tracks and the traffic signals in the area would slow ambulances.

A judge ruled in the Association’s favor in January 1930 and the city did not appeal. The Retail Merchants’ Association pressured the city to move on with the hospital plans, especially as the economy was souring at the heels of the Great Depression, and proposals for a hospital were sought by mid-February. On March 3, the commission chose the southeast corner of High Street and Burnett Road. The new City Hospital opened in 1932.

In 1966, City Hospital was renamed The Community Hospital after changing from a city-controlled facility to a not-for-profit that was privately owned. It was in that year that the hospital – along with Mercy Hospital, requested a $6 million bond issue to construct additions. The measure passed, and the east wing of Community Hospital was completed in 1971. A year after the renaming, Community and Mercy attempted to reduce healthcare costs and duplication of services, agreeing to consolidate all maternity services at Community and pediatric services at Mercy.

Another expansion occurred in the late 1970s after a joint plan for long-range health needs of Springfield was developed between the two hospitals. The 1976 plan called for expansion of the existing facilities to introduce new services and procedures and to construct new patient rooms. The end result was a $48 million expansion project at both hospitals. The partnership between the two hospitals was solidified even further when Community Hospital and Mercy Health Partners completed two years of planning and negotiations to merge into one organization: Community Mercy Health Partners, a deal that was finished on July 1, 2004.

In May 2006, Community Mercy Health Partners signed a development agreement with the city to construct a new hospital in downtown adjacent to the cancer center. The new Springfield Regional Medical Center opened on November 13, 2011. An auction of the interior contents of the City Hospital was held from April 17 to April 20, 2012.

The Community Hospital School of Nursing, later known as Springfield Regional School of Nursing, was an affiliate of Community Mercy Health Pertners, which offered a Diploma in Registered Nursing. Started in 1904, the school received the National League for Nursing Accreditation in 1953 and students began receiving college credits from a regionally accreddited cooperating university in 1970. Thirty years later, Urbana University offered general education courses on the School of Nursing’s campus.

On June 30, 2012, the Springfield Regional School of Nursing closed and the RN program was merged to Clark State Community College in Springfield. The last class to graduate was on May 8.

For more photographs, visit the Springfield City Hospital page after the jump »





If the weathered facades of the industrial structures lining Ashland Road in Cleveland, Ohio, could speak, they would regale us with tales of a rich and multifaceted history. Despite the paucity of readily available information and the occasional misinterpretation stemming from firsthand accounts and urban exploration, the complex’s narrative proves more intricate and captivating than initially envisioned. Though a wealth of materials has been uncovered, certain gaps remain unresolved, adding an air of mystery to this chronicle.

Last Saturday, I had the opportunity to bike the former Hocking Valley Railroad River Division (HV) near Gallipolis, Ohio. The Gallia County Hike and Bike Trail was completed from Logan to Gallipolis in October 1880 for the HV. The tracks were abandoned in 1992 and dismantled a year later.





Last Saturday, I had the opportunity to bike the former Hocking Valley Railroad River Division (HV) near Gallipolis, Ohio. The Gallia County Hike and Bike Trail was completed from Logan to Gallipolis in October 1880 for the HV. The tracks were abandoned in 1992 and dismantled a year later.

The rail-to-trail ends near the US 35 freeway, but continues again from Kerr to Bidwell.

These are further north past Minerton and were taken during the winter, but show the excellent condition of the right-of-way and tunnels that would make for an ideal rail-to-trail.





With profound gratitude extended to Downtown Mansfield Inc. and Preservation Ohio, hundreds of residents were afforded the opportunity to delve into Mansfield, Ohio’s rich history through a series of guided tours encompassing five significant sites within walking distance. The first installment of this five-part series spotlights the City Mills Building.

If you have watched the Shawshank Redemption, Air Force One, Tango & Cash or Harry and Walter Go To New York, then you have at at least previewed parts of the now-closed Ohio State Reformatory. Designed by Levi Scofield, a Cleveland architect, th





If you have watched the Shawshank Redemption, Air Force One, Tango & Cash or Harry and Walter Go To New York, then you have at at least previewed parts of the now-closed Ohio State Reformatory.

Designed by Levi Scofield, a Cleveland architect, the Ohio State Reformatory was constructed from 1896 to 1896 in the Victorian Gothic, Richardsonian Romanesque and Queen Anne architectural style – in a manner as to encourage those inmates to turn away from their sin-filled lifestyle and to repent what they have done wrong. Comprising more than 250,000 square feet, the prison contains the world’s largest free-standing steel cell block.

Ohio State Reformatory closed on December 31, 1990 and is now open for general tours seven days a week.

  • But on June 30th, a special Ohio State Reformatory Tour for Photographers, hosted by Abandoned will be held from 9 AM to 1 PM, with gates opening at 8:30 AM.
  • The price for the event is $75 for four hours, a 50% discount that is normally offered.
  • A minimum of 20 participants is required for this event.
  • The location is at 100 Reformatory Road, Mansfield, Ohio.
  • The event fee of $75 will be paid at the door. Cash and credit cards are accepted.





Tour the historic San Francisco, California Armory for just $28 for two, now listed on Groupon. Constructed in 1914, the 220,000 square-foot armory hosted the National Guard until 1973 and then remained vacant for three decades. It was purchased in 2





San Francisco Armory

Tour the historic San Francisco, California Armory for just $28 for two, now listed on Groupon. Constructed in 1914, the 220,000 square-foot armory hosted the National Guard until 1973 and then remained vacant for three decades. It was purchased in 2007 and then subsequently rehabilitated for adult film sets by Peter Acworth, owner of Kink.com.

The tour lasts 90 minutes and includes the armory’s five floors and includes both historical and risque trivia. The walk includes the preserved shooting range and the subterranean Mission Creek that flows through the basement. It also includes… a tour of a plush lounge and dungeon, along with props, and perhaps a peek at a live filming if it is in progress.

The tour is of course being protested by War on Illegal Porngraphy and Morality in Media, who claims that the armory is not family friendly nor educational. Both groups oppose pornography and indecency, and have called for a boycott on Groupon over the deal. WND has the scoop on the protest, which apparently has not affected sales.

Well, if you are interested in the tour, it is just $28 for two, a good 57% discount.

Further Reading





To be offered beginning in June, the Indianapolis, Indiana Catacomb tours will take the public beneath City Market into mostly unknown catacombs that date to 1886. The cavernous walkways, featuring brick archways and columns of limestone, encompass more than 20,000 square feet and were part of Tomlinson Hall, a structure along Market Street that burned in 1958.





Indianapolis City MarketTo be offered beginning in June, the Indianapolis, Indiana Catacomb tours will take the public beneath City Market into mostly unknown catacombs that date to 1886. The cavernous walkways, featuring brick archways and columns of limestone, encompass more than 20,000 square feet and were part of Tomlinson Hall, a structure along Market Street that burned in 1958.

Having been mostly unused except for storage in recent years – and as an emergency homeless shelter during a winter storm of 1912, the tours will open up a part of the city that has been unseen by most, and spark some ideas on a future reuse for the catacombs. Suggestions for reuse include an underground park or nightclub, but a study conducted in the 1990s estimated a cost of more than $7 million just to bring the catacombs up to modern safety standards.

City Market and Indiana Landmarks will offer tours on Saturdays beginning on May 26. In July, tours at midday will be held on Wednesdays. The cost will be $10 per person.

More information on the tours will be posted soon.

Further Reading





Located in the Northwest Goldberg neighborhood of Detroit, Michigan, King Solomon Baptist Church’s facility at Marquette and 14th Street was best known as the first African American church to be located on a major thoroughfare.





Located in the Northwest Goldberg neighborhood of Detroit, Michigan, King Solomon Baptist Church‘s facility at Marquette and 14th Street was best known for becoming a popular venue for influential black leaders.

The Gothic-styled church was completed in 1920, and housed Temple Baptist Church from 1934 to 1951. Temple was a conservative, pro-segregationist church that barred African Americans from attending, and boasted a congregation of 5,000. In 1937, an Art Deco-styled auditorium was completed across the street from the church.

Like many churches, it was home to a corner pharmacy which helped pay off the construction bonds of the building, and to help cover future maintenance costs.

After the black community began to dominate the demographics in the neighborhood, Temple relocated to a large facility on Grand River Avenue where there was a sizable white population. But after the neighborhood became more mixed demographically, Temple once again relocated to West Chicago Avenue near Telegraph Road.

King Solomon relocated from Delmar Street to Temple’s vacated facility at Marquette and 14th in 1952, which soon became a popular for influential black leaders. It was also where Malcolm X delivered Message for the Grass Roots, where he attacked the non-violent civil rights movement and called for a “black revolution.” It was also where he criticized the 1963 March on Washington and noted that all black Americans had a common enemy: white people. The church also hosted other leaders, including Rev. Martin Luther King Jr. and Thurgood Marshall, who was the chief council for the NAACP and later appointed to the U.S. Supreme Court by President Johnson. Marshall oversaw the landmark Brown versus Board of Education of Topeka case.

On March 22, 2011, the Detroit City Council designated King Solomon and another church within a historic district. Today, King Solomon Baptist Church survives with a much smaller congregation across the street in the auditorium.

Further Reading





Detroit’s Eastern Catholic High School, despite its blown out windows and scrapped interior, was still breathtaking and beautiful.





Driving down Gratiot Avenue in Detroit, Michigan late night in the summer of 2011, I came across the former Eastern Catholic High School. The obviousness of its abandonment, with its blown out windows and the hulking structure contrasting to the vast, empty lots surrounding it, made the four-level school all the more interesting to enter and photograph.

But the state of the school was not always so dim. From its closure in 2005 to 2010, the building was minimally maintained, enough that the windows remained intact and the interior in decent condition, probably with the intent of reopening the building for a charter school or for another use. But costs of maintaining the building, constructed in 1926, dogged the diocese, and the church stopped all maintenance. Within weeks, all of the windows, which were fairly new, were busted out and the building stripped of anything of value.

The first trip inside was nothing short of a shock. Books from various classrooms lined the hallways, some giving instruction on computers, others on English literature. Test tubes and other chemistry equipment were unbroken and in good condition in a storage room. And the library was fully stocked, the materials neatly lining the bookshelves awaiting for the next guest to come check out some publication. The floors were relatively clean, sans some debris left over from scrappers, and it appeared that the building was salvageable for reuse.

I eventually entered the 1923 auditorium and was enamored at the quality of construction. Cast iron decorative pillars, some of which had completely rusted away, adorned the plaster walls. Some detail work along the ceiling was still intact, along with the retro lighting. It seemed that the auditorium had not been used for quite a while and based on reports from some alumni, had been used for storage for the past few decades.

The history of the school was linked invariably to that of St. Anthony Catholic Church. The first school was built in 1865 and expanded in 1882. A grade school was started in a building near the church in 1896, followed by the completion of the first high school in 1918 at the corner of Field and Frederick Streets. An auditorium, pictured above, was constructed across the street in 1923, with classes held in the basement and first floor. Three years later, a larger high school structure was completed as an extension of the auditorium, adding 13 classrooms and laboratories.

A gymnasium was later built in the 1950s.

Enrollment peaked in 1927 at 1,040. Despite the school’s great academic and athletic record, the number of pupils continued to decline, hitting a low of 125 in 2005 – the same year that the diocese pulled the plug on Eastern Catholic.

More interesting is the nice folks who were setting foot into the school when I arrived on my last trip to the complex. The group, some from Los Angles and San Francisco, California, had come to Detroit to investigate various historic properties to purchase. Their desire was to create an artist work-live environment, but unfortunately, the school was too far gone to be saved and had already been abated in preparation for demolition. L. Rooney, Adrienne and others pose for a photograph below (lost some names).

Eastern Catholic, St. Anthony Catholic High School Detroit, Michigan

I gave them a brief tour of the school before I encountered another group – alumni from 1971! D. Spoutz, Linda and C. Lorenzetti pose for a photograph below.

Eastern Catholic, St. Anthony Catholic High School Detroit, Michigan

All in all, it was a great and fitting ending to my final trip into Eastern Catholic.

Eastern Catholic, St. Anthony Catholic High School Detroit, Michigan

Further Reading





For those entranced by the enigmatic allure of urban decay, the Packard Automotive Plant in Detroit, Michigan, has long reigned as a preeminent destination. This colossal complex, spanning a staggering 3.5 million square feet and dominating the vistas from all directions, has borne witness to the inexorable ravages of time, underutilization, and the incursions of scrappers.